Cinematic techniques have been operating in a wide range of cultural practices beyond the classic dispositif of cinema. Configurations of film have appeared in unexpected locations and unsuspected forms, formats, usages, and temporalities, from architectural design to the production of scientific evidence, from social interaction to the organization of labor, the enhancement of sports performance, formal and informal education, warfare, legal procedures, and so on. Drawing on the notion of tacit cinematic knowledge, the conference explored the groundwork for theorizing implicit epistemic templates configured by film forms and techniques. It was an attempt to expose inconspicuous cinematic performers shaping daily activities and modes of observation, especially where one least expects to encounter films.
Sept 24 2020
Sept 25 2020
Sept 26 2020
Rebecca Boguska, Guilherme da Silva Machado, Rebecca Puchta, Marin Reljic, and Philipp Röding
Nicole Braida, Alexander Stark, and Antoine Prévost-Balga
Marie Sophie Beckmann, Rebecca Boguska, Nicole Braida, Vinzenz Hediger, Karin Fleck, Philipp Keidl, Andrea Polywka, Antoine Prévost-Balga, Rebecca Puchta, Marin Reljic, Philipp Röding, Guilherme da Silva Machado, Laliv Melamed, Verena Mund, Alexander Stark
The official language of the conference was English.